Land Acknowledgement

I respectfully acknowledge that this Civic Engagement Project was conducted in the aboriginal territories of the Séliš and Ql̓ispé people. Today, I honor the path they have always shown us in caring for this place for the generations to come.

(Adapted from language created by the Séliš-Ql̓ispé Culture Committee for the University of Montana)

Personal Introduction

Thank you for visiting my Civic Engagement Project (CEP) webpage!

My name is Kaleb Cohen. Before getting into my CEP, I want to give you some of my family and geographic background that is integral to who I am and how this CEP has come about. 

I am a descendent of European settlers who came to this continent from varying lands and for varying reasons. My mother's side is mostly from western Europe (England and Scotland) and my father's side is made up entirely of Ashkenazi Jews from what is now Belarus. 

I grew up in Southern California suburbia, where I learned to love the ocean, the mountains, desertscapes, and food. After college, I moved to Washington state to pursue other climatic experiences—and farming. I settled in Nłʔaycčstm (the Missoula area) in 2021 to start graduate school in philosophy. This CEP is the culmination of my time in the philosophy department at the University of Montana.

The Civic Engagement Project (CEP)

In my CEP, I aimed to conceive and enact a distinctly Jewish and decolonial relationship with land in the particularities of Nłʔaycčstm

I attempted to accomplish this through three interrelated projects: 

  1. Organizing a Jewish environmental book study
  2. Facilitating a celebration of Tu BiShvat 5783/2023
  3. Contributing to the PEAS Farm native plant garden

And, in the Theoretical Applications section below, I connect three of my core philosophy seminars to these projects. (A full account of my CEP is contained in my CEP Portfolio, which you can access below.)

But before I tell you about each of these projects, I want to acknowledge my indebtedness and deep thankfulness to some of those who have been integral to the formulation of this CEP.

Other Inspirations

 
Cover of Heather Cahoon's book, Horsefly Dress

"Horsefly Dress," by Heather Cahoon

Heather Cahoon's book, Horsefly Dress, has, among many other things, inspired me to engage the meaning of story, place, and the relation between the two. (Click on the name of the book to purchase a copy and click here to listen to Heather Cahoon read her poem, "Baby Out of Cut-Open Woman.")
Picture of Emmanuel Levinas

Emmanuel Levinas

The philosopher Emmanuel Levinas has inspired me to take Jewish traditions and thought seriously and has been a consistent ally in helping me articulate what a distinctly Jewish and decolonial relationship with land could look like. (Click on his name to watch a short clip of him talking about one of his central philosophical ideas, the face of the other.)
Panorama of Missoula from the top of Mt. Sentinel

Nłʔaycčstm

From the solace of rivers, the majesty of mountains, to the comradery of trees, the land itself has been a wellspring of inspiration. I took this picture from the top of Esmoq̓͏ʷ (Mt. Sentinel). (Click on "Nɫʔaycčstm" to view a digital ethnogeographic sign of the Missoula area created by the Séliš-Ql̓ispé Culture Committee.)

Theoretical Applications

For this class, we explored the philosophical implications of the Anthropocene, the recommended designation for the present geological epoch we inhabit. In the Anthropocene, no place on earth is left untouched by human hands.

“Re-story-ation”

One thing we learn from the Anthropocene is the extent to which we humans are interrelated with our environments. One of the thinkers we engaged in this regard was Robin Kimmerer. Kimmerer encourages us to reimagine our relationship to our environments through stories. But not just any stories, the stories of the particular lands we inhabit: here, in the particularities of Nłʔay, those stories are Séliš-Ql̓ispé stories. Kimnmerer has a beautiful term for this practice of learning the stories of particular lands as a practice of healing the land: “re-story-ation.”

"Decolonization as Translation"

But, as Sol Neely has put it, “encountering wisdom in its place risks reinscribing coloniality”—that is, how could those of us who are positioned as settlers on Séliš-Ql̓ispé land learn Séliš-Ql̓ispé stories in a way that doesn’t perpetuate the violence of colonization through the colonization of Indigenous knowledge and culture? Neely suggests that a kind of translation is required—what he calls, “decolonization as translation.” This is a kind of translation that is attentive to the violent colonial strategies such as boarding schools that constitute the reasons why many Indigenous cultures and languages are fragmented in the first place.

Midrash

I think there’s resources in Jewish traditions to aid in Neely's project here: midrash. Emmanuel Levinas describes midrash as “the fruit of centuries of spiritual life forming a chain of tradition in which thought is at once transmitted and renewed.” Midrash is a hermeneutic or interpretive practice in rabbinic Judaism that has to do with making sense of the gaps in Jewish texts generally through telling stories. Midrash is an act of translation to make sense of traditional stories in one’s current temporal and spatial context.

The limits of translation and Indigenous language revitalization

Finally, translation has its limits. And, in the end, says Neely, “we will forever remain tone deaf to wisdom in its place if we do not commit ourselves to the study of indigenous languages in those place.” We must learn the Indigenous languages of the particular lands we inhabit for the sake of becoming environmentally responsible as well as, one might add, in order to contribute to the growing movement of Indigenous language revitalization.

Thoreau’s new sensing and critique of the eye

In her book, Bird Relics, Branka Arsić argues that a major part of Henry David Thoreau’s project was to conceive of how we might have access to the literal world through developing an “intense empiricism” that “abandons the traditional philosophical belief that human access to nature must always be mediated by concepts.” On the way to an unmediated access to our surroundings, Thoreau critiques what he calls “ideation,” which refers to one theory of perception such that when we physically sense something in the world, our brain makes a picture of it in our mind and what we are directly experiencing is that picture, but not the real world.  

The eye, for Thoreau, is the metaphorical epitome of ideation. If you think about it, many of our metaphors for knowledge are indeed visual metaphors: I see what you mean; Kaleb's CEP is very illuminating. Instead of the eye, Thoreau suggests we use the ear as the metaphorical epitome of perception.

A Jewish "consciousness of hearing"

Emmanuel Levinas, whose project has been described as a translation of “Jewish sources into Greek,” develops a similar critique. But Levinas’s constructive account of perception is quite different from Thoreau’s. Returning to Sol Neely is really helpful here. Neely explains that, instead of a consciousness of seeing, Levinas develops a consciousness of hearing. A consciousness of hearing is a radical openness to the world.

In a consciousness of hearing, perception doesn’t begin with “ideation,” or perhaps what one might also call intentionality, but inspiration, which Levinas connects to the literalness of respiration. In this move, Levinas appeals to his “Jewish source material” which are the oral traditions of Judaism, or the oral Torah, which also helps to reveal the significance of oral traditions generally. It is an openness to encountering the breath of the other (inspiration), or as Neely puts it so well: through the connected duality of inspiration and respiration, “we breathe in into vitality and breathe out into vulnerability.”

Encountering wisdom in its place

Neely reads Levinas through an Indigenous “inspired eco-phenomenology” to argue that a consciousness of hearing is attuned to the land “which is always already storied and ecological in ways that cultures of usurpation are historically tone deaf toward.” We can learn to become attuned, in this fundamentally different modality of consciousness, to the histories of violence against the land and the Indigenous peoples who have inhabited this land since time immemorial as well as the stories from these lands that teach us how to live well in the particularities of these lands.

Deborah Bird Rose's Shimmer

This course explored a wide range of philosophical topics relevant to non-human animals, such as animal cognition, animal ethics, and intersectionality (of justice issues for non-human animals and for humans). I spent most of the semester reflecting on ethics and wildlife policy—in particular, wolves in Montana and flying-foxes in Australia. My CEP is informed by what I learned from Deborah Bird Rose and her flying-fox teachers in her book, Shimmer.

This quote, I think, captures the ethos of Rose's book: “The story is bleak, but it is not only about death. Flying-foxes interact with humans in networks focused on kinship, care, rescue, advocacy and research. Human beings offer love and commitment; they bring assistance, bear witness and, through their actions, testify to an interspecies ethic that responds to suffering and, at the same time, praises the gifts that flying-foxes bring to the world.”

Yes!

“Yes!,” according to Rose, “is the great powerhouse of life on earth.” Yes!, “asserts the value of life over the powers of destruction, and flows through living creatures in all their fidelity to their own way of life, their new generations, their mutualisms, and their flamboyance.” And, for humans, “saying yes to life is a profound ethical choice. It is an embrace of the living world, a grateful response to the gifts of life, a pledge of solidarity with Earth’s way of becoming, and a commitment to witness the work of life.”

Yes! as הננ

I think that it is reasonable that we might think of Rose’s “Yes!” as her own translation of the Hebrew word הננ (hineni), which, in Jewish traditions, is the ultimate affirmation and acceptance of responsibility. Yes! and הננ are affirmations of the goodness of creatures and creation in general and an acceptance of the responsibility to bear witness to both suffering and joy.

ברכה

In Jewish traditions, one great example of הננ as affirmation of the goodness of creation and responding to this goodness is ברכה (brakha), or the making of a blessing, which is a praise of the goodness of others, or, following James Hatley’s formulation, a praising of the praise of creation. In making the connection to my CEP explicit here, ברכות (brakhot, plural of brakha) are a central feature of Tu BiShvat. According to Rabbi Ellen Bernstein, for “the kabbalists, the point of the [Tu BiShvat] seder is to repair the world”: “The more fruit you eat and the more wine you drink, the more blessings you’re required to say, the more the earth is healed.” 

What do I mean by "decolonial"?

Decolonial is meant to signal the larger movement of decolonization. Decolonization, Eve Tuck and K. Wayne Yang tell us, is not metaphorical, but is literally about “the repatriation of Indigenous land and life.” I think of my project as decolonial because I understand it—from the position of a white settler occupying stolen Séliš-Ql̓ispé land—as first and foremost a promotion of the repatriation of Indigenous lands. Though my project isn’t literally giving land back to Indigenous peoples, I still think of it as decolonial, i.e. promoting land back, because I am attempting to enact ways of inhabiting land that ultimately recognize Indigenous sovereignty over their homelands and facilitate a consciousness in (especially Jewish) settler inhabitants of Indigenous lands that might lead to literal land back.

Digital flyer of reading group
Tu BiShvat artistic representation
Tu BiShvat artistic representation
Picture of Mission mountains from the Bison Range

More Pictures

Want to connect?

I'd love to hear what you think! You can email me at kbcohen33@gmail.com

Maggie Gammons' Native Plant Signs Cameron and Aspen Decker's website CEP Presentation Slides R' Ellen Bernstein's books CEP Portfolio
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